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A voice like 'Sleeping Beauty'

May 17, 2001

Chuck Benedict

o7 "Sir James Barrie wrote, 'Charm is a kind of bloom on a woman. If

she has it, she doesn't need anything else, and if she doesn't have it,

it doesn't matter what else she has.' Mary Costa has many things other

than charm to make her distinctive -- talent, a crystal-clear, God-given

voice, beauty, a commanding presence and strong faith."f7

-- Nell Mohney, author.

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In the 100-year history of Glendale High School, no graduate has

reached such world-renowned acclaim in music as Mary Costa, Class of

1948.

Still looking like a youngish performing arts star, Mary celebrated

her birthday April 5. Her career has included the leads in many operas,

especially as Violetta in "La Traviata"(Verdi), which, in her debut at

the Metropolitan Opera Company, elicited one of the great audience

reactions in the history of the Met.

Costa tells how important it was that she and her family came to visit

our area in 1946: "When I was a teenager in Knoxville, Tenn., my mom and

dad and I visited relatives in Los Angeles. My aunt gave a party and a

group of us were singing informally around the piano. Mrs. Leland

Atherton Irish, a prominent supporter of opera, took my mother aside and

told her that I had singing possibilities.

"She suggested that the family move to Los Angeles and that she would

arrange for me to spend the last part of each school day studying voice

at the Los Angeles Conservatory. She also advised us that Glendale was a

perfect residential community. "When we got back to Knoxville, we

talked it over, and my Dad was persuaded to make the move. We stayed with

relatives in La Crescenta for awhile, and later settled in on Eden

Avenue, where the [Glendale] 2 Freeway now passes over Glenoaks."

At Glendale High School, as a junior, Mary auditioned and was awarded

the leading role in a revival of the 1902 operetta, "The Prince of

Pilsen." Her singing had won her the role, but the first dialogue

rehearsal was a disaster. Singing may disguise an accent, but dialogue

does not, and her strange Tennessee speech habits were totally improper

for the part.

"Drama teachers helped," she said. "By opening night I could say every

word in the script without an accent. I also was wearing a hat and other

clothes I normally never would wear. So my Dad, in the audience, nudged

my mother and said, 'When's Mary coming on?' Mom pointed to me and said,

'Hush, John. She's been onstage for 10 minutes.' "

"'Dad's reply was, 'Where'd she get that funny accent?' "

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