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Neon aficionado to showcase his expertise at Glendale event

July 25, 2012|By Kirk Silsbee
(Roger Wilson/Staff…)

It’s a safe bet that most of us don’t drive at night the same way that Eric Lynxwiler does.

Sure, we all perambulate in one kind of vehicle or another, in a more-or-less legal manner. But the 37-year-old Lynxwiler has a passion and a skill set that sets him apart. Lynxwiler is one of our most informed and discerning urban archaeologists. He searches out neon signs in the Southern California night, evaluating and appreciating them in a way that very few people are able.

The graphic designer and art director’s name is known to but a few. But for those who have been lucky enough to find a seat on one of the many double-decker bus tours that Lynxwiler has conducted for the Museum of Neon Art in the last 13 years, you know what an informative and entertaining historian/raconteur he is.

He’s one of those rare specialists who can outline his subjects in perspectives both fun and educational. Coming away from a Lynxwiler talk, one gets the grudging impression that maybe there is a reason to stay in Los Angeles after all and grasp, even celebrate, this crumbling, fiscally snake-bitten town.

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Lynxwiler will speak and provide a slideshow on L.A. neon at the Glendale Central Library Thursday night.

L.A.’s history with neon is long and deep. The visionary L.A. car dealer and broadcast pioneer Earl C. Anthony first imported it to America in 1923. After a Paris sojourn, he returned with two signs that quickly set his Packard dealership apart from other businesses.

In time, neon became an inextricable part of cities in the American night. From glittering pagodas in Chinatown to gaudily colored Googie restaurants to a dripping faucet above a plumbing shop — neon has helped define our sense of the SoCal landscape.

“Neon is valuable,” Lynxwiler maintains. “It informs us and, in the best examples, does it in an interesting way. A diver jack-knifing on a motel’s neon sign tells us that there’s a pool. But it can also be aesthetically pleasing.

“The twin dragons on the Chinese Theatre in Hollywood and the sign for Pann’s coffee shop in Culver City are pleasing and stimulating to the eye. Older signs are historic and can tell us something about an earlier way of life. A motel sign with ‘T-V’ on it lets us know that the rooms had televisions, before we called them TVs.

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